Ich fass das grade nicht so richtig, dass ich hier noch nichts über Poster Boy aus New York habe. Der macht nämlich Adbusting-Deluxe und das New York Magazine hat einen netten Artikel über ihn.
It’s a Thursday evening at the 23rd Street C/E station, and Nicolas Cage is undergoing an involuntarily face-lift. As commuters wait for their train, the subway-art manipulator known as Poster Boy stands in front of an ad for Cage’s Bangkok Dangerous, razor in hand, and traces a circle around the actor’s eyes, nose, and mouth. Cage’s face peels away as easily as a trading-card sticker, and Poster Boy carries it down the platform, where he’s been hacking away at a hot-pink poster promoting MTV’s high-school musical The American Mall. He’s been rearranging swatches of color, text, and body parts to alter the movie’s title (now The American Fall) and tagline (“Love and Dreams for Resale”). Poster Boy slices out the Mall moppet’s head, replacing it with Cage’s appropriately stunned expression. The entire process takes less than ten minutes.
Since January, the 25-year-old has manipulated about 200 underground posters, turning MTA stations into his own public galleries. His pieces are conceived on the spot, and while most subway-poster vandals limit themselves to all-caps obscenities, Poster Boy’s improvised mash-ups recall both the cut-and-paste aesthetic of old punk-show fliers and the fake ads that appeared in circa-seventies Mad magazine: In his hands, AT&T skyscrapers are turned into flaming World Trade Center towers and Heath Ledger becomes a ghostly anti-drug pitchman. Most of his work disappears quickly—MTA employees have even ripped down his work before he’s finished—but you can see it on his sporadically updated Flickr account.