n+1 über neue Verhältnisse zwischen Online-Schreiber und Leser, Kommentaren und Social Media und wie die Gesellschaft heute vor allem aus Meinungsstückschreibern (aka Bloggern) besteht.
The intimacy between online writers and readers determines how we read and write. As late as the 1990s, despite the lurid fan pages and dank chat rooms of the early internet, there was presumed to be a gulf between these two constituencies. Even with Fox News ascendant and internet news ever more dominant, mass media institutions remained monolithic enough to manufacture consent. The first decade of the 21st century was a transitional one in terms of reader-writer relations, its habits now as foreign as those of Edward R. Murrow’s America. Gone are the happy days when we dialed up to submit a comment to Salon.com, only to be abused by Glenn Greenwald or destroyed — respectfully — by the academics at Crooked Timber. Back then, we could not have imagined feeling nostalgic for the blogosphere, a term we mocked for years until we found it charming and utopian. Blogs felt like gatherings of the like-minded, or at least the not completely random. Even those who stridently disagreed shared some basic premises and context — why else would they be spending time in the comments section of a blog that looked like 1996? Today’s internet, by contrast, is arbitrary and charmless. On social media, criticism once confined to the comments now comes as free-range abuse directed at other readers. Readers can address all parties instantaneously — writers, editors, publishers, and the world. And so writers who publish online peer into the fishbowl of readerly reception. Drop in some flakes and watch the fish swarm. […]
Twitter has helped turn the internet into an engine for producing op-eds, for turning writers into op-ed writers, and for turning readers into people on the hunt for an op-ed. The system will not be satisfied until it has made op-ed writers of us all.
Was für Lebewesen sind wir? (Noam Chomsky)
Der Tyrann: Shakespeares Machtkunde für das 21. Jahrhundert (Stephen Greenblatt)
Stan (John Connolly)
Die geheime Welt der Bauwerke (Roma Agrawal)
Verzeichnis einiger Verluste (Judith Schalansky)