Diane Meyer hat die Mauer auf moderne Fotos von Berlin gestickt. Die gesamte Fotoserie zeigt die gesamten 155 Kilometer der ehemaligen innerdeutschen Grenze innerhalb Berlins. // Jason Kottke
The images were taken in the city center as well as in the suburbs where I followed the former path of the wall through the outskirts of the city. I was interested in the psychological weight of these sites and the ways in which past history remains very much in the present. In many images, the embroidered sections represent the exact scale and location of the former Wall offering a pixelated view of what lies behind. In this way, the embroidery appears as a translucent trace in the landscape of something that no longer exists but is a weight on history and memory.
By having the embroidery take the form of digital pixels, I am making a connection between forgetting and digital file corruption. I am interested in the porous nature of memory as well the means by which photography transforms history into nostalgic objects that obscure objective understandings of the past.