[Trailerfest] Why Don’t You Just Die! / Betty / Trouble With Being Born / Saint Maud / First Cow / Wildland / Antlers / Pinocchio / Candyman

27. Februar 2020 17:48 | #Film #Trailer

Jede Menge neuer Trailer zur sehr spaßig aussehenden russischen Splatter-Comedy Why Don’t You Just Die!, zur HBO-Serie Betty über Skater in New York, zum SciFi-Drama Trouble With Being Born, zu A24s Religions-Horror Saint Maud, zum großartig aussehenden A24-Western First Cow über die erste Kuh im Wilden Westen, zum schwedischen Thriller Wildland, zum Horror-Schlock Antlers, zur italienischen werkgetreuen Adaption von Carlo Collodis Pinocchio, sowie zum Remake von Candyman, produziert von Jordan Peele (Twilight Zone, Us, Get Out).

Werde ich mir alles definitiv ansehen, sieht alles super bis großartig aus. Unten noch ein paar Poster zu den Filmen.

Why Don’t You Just Die!

Shades of early Tarantino, Edgar Wright and Sam Raimi abound in this violent, stylish and riotously entertaining slice of family life, Moscow style, described as “a splatterpunk action comedy drenched in gleefully dark Russian humor” (The Hollywood Reporter) and “an amazing first feature from a filmmaker to watch” (Screen Anarchy).

Matvey (Aleksandr Kuznetsov) has just one objective: to gain entry to his girlfriend’s parents’ apartment and kill her father Andrey (Vitaliy Khaev) with a hammer to restore her honour. But all is not as it initially seems, and Matvey’s attempts to bludgeon the family patriarch to death don’t quite go to plan as Andrey proves a more formidable – not to mention ruthless – opponent than he anticipated… and Matvey, for his part, proves stubbornly unwilling to die.


A diverse group of young women navigate their lives through the male-dominated world of skateboarding in New York City.

Trouble With Being Born

Ten-year-old Elli is an android. She loves the man she calls “Daddy” and is the vessel for his memories, which mean nothing to her, but everything to him. A formally dense and provocative invitation into the realm of virtual and psychological reality.

Saint Maud

Hospice nurse Maud has recently converted to Roman Catholicism and is concerned that she may be possessed when she becomes infatuated with Amanda, a former dancer in her care.

First Cow

In the 19th century, not only fur trappers venture into the wilds of Oregon, but also a taciturn cook and a Chinese man who turn out to be able entrepreneurs. An inventive tribute by a great director to a different notion of the “frontier”.

Kød & Blod (Wildland)

After her mother’s death, Ida moves in with her aunt and cousins. Theirs is a loving family, but it soon transpires that the clan is engaged in criminal activities. A female-driven exploration of family conflict fuelled by affection and cut-throat ethics.


A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences.


A faithful adaptation of the well-known story of Pinocchio, to which Matteo Garrone has added a unique visionary dimension. Pinocchio’s world is simultaneously real and fantastic – this is an Italy redolent of the earth, the sea and the farmyard.


For as long as residents can remember, the housing projects of Chicago’s Cabrini Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy (Yahya Abdul-Mateen II; HBO’s Watchmen, Us) and his girlfriend, gallery director Brianna Cartwright (Teyonah Parris; If Beale Street Could Talk, The Photograph), move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials.

With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini Green old-timer (Colman Domingo; HBO’s Euphoria, Assassination Nation) exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifyingly viral wave of violence that puts him on a collision course with destiny.

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